Author name: Phakamisa Mayaba

The Cabinet is Happy but the People Wonder…

In 1994, when Madiba was cobbling together a government of national unity (GNU) , his position was unenviable. No matter which way he played it, it was clear he could not please everybody. Through his reconciliatory offensive he was able to allay white fears around the trepidation of a swaartgevaar that supposedly wanted to grab …

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Sandile Dikeni: The Great Karoo Writer You’ve Never Heard of

Antjie Krog’s Country of my Skull is one of those haunting books one never gets used to. Brilliantly written, it fleshes out the pain and suffering that was the mainstay of South Africa’s Truth and Reconciliation Commission (TRC). In graphic detail the horrors of the evils of apartheid; the smashing of women’s breasts against drawers, …

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Youth Day, the Colesberg Four and Voting Day.

A flaccid anticlimax, then, last month’s general election. SA’s youth – in their heyday the cause of apartheid’s mad scientists wetting themselves – would lately listlessly show the middle finger than to vote, for anybody. Or animate a viral video where scores of them set all kinds of ANC regalia alight to celebrate Youth Day. …

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GNU or Coalitions? Therein Lies the Rub.

First thing that crept into this writer’s mind at the resurrection of ‘government of national unity’ (GNU) were the televised images of Rooivalk helicopters hovering eerily over Lesotho on the orders of the late Mangosuthu Buthelezi. Those of a certain age will remember the dramatic scenes with a sense of mild dread. Shenge, serving in …

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Lessons from an Uncle at Silly Season

With cognoscenti bogged down on the highly-anticipated 29 May, my thoughts have been mulling over Homeboy. Not Seth Morgan’s literary masterpiece than my own towering, stoic and long-dead uncle, Charles ‘T.O.’ Mayaba. The one whose politics were of a patently afro-nationalist tilt but not so dogmatic as to be over-imposed onto those of divergent persuasion. …

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‘Ramaphosa is a Criminal;’ Malema Speaks in Colesberg.

Even without the bourgeoisie elevated Michael Jackson platform Julius Malema clearly nurses a fetish for theatrics. Why else would he go all out even in remote enclaves like Colesberg to put on the sort of showboating that brings an entire town to a virtual standstill? Maybe that’s because even though he’s mostly labelled as a …

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